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Discusses whether the artist is free to express himself regardless of public understanding, public acceptance, or public rejection. Dramatizes the incidents surrounding a citizen's donation of a statue for a town square. The artist commissioned to do the work has fashioned a piece of iron sculpture which depicts what he feels is the horse's spirit instead of its outward form. At the dedication of the statue in the town square, the crowd voices mixed reactions to the sculpture. More and stronger objections are climaxed in attempt to destroy the iron horse. The donor finally removes the iron horse to his own estate where, on top of a rise, it dominates the landscape in splendid exile.
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