| Description |
Examines the movies of the twentieth century for clues to the changes and constancies in American taste. Indicates that by the 20s the sentimental melodrama had given way to a new wave of frenetic frivolity, and the need for a code of self-censorship became apparent. Describes the recent sporadic efforts of independent movie producers which have resulted in a liberalization of the code. Points out that there have been some distinguished films despite a motion picture industry that continues to search for the lowest common denominator of taste.
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