Bibliography and Credits



Cross, Charlotte M. and Russell A. Berman, eds. Political and Religious Ideas in the Works of Arnold Schoenberg. New York: Garland Publishing, 2000.


Fess, Eike, Liner Notes. Moses und Aron. Daniele Gatti (conductor). Arthaus Musik. 101 259. 2006, DVD.


Finane, Ben. Handel’s Messiah and His English Oratorios. New York: Continuum, 2009.


Floros, Constantin. Gustav Mahler: The Symphonies. Portland: Amadeus Press, 1993.


Friedrich, Götz. Liner Notes. Salome. Karl Böhm (conductor). Deutsche Grammophon 00440 073 4339. 2007, DVD.


Landon, H. C. Robbins. Haydn: Chronicle and Works. Bloomington: Indiana University Press, 1976.


Leneman, Helen. The Performed Bible: the Story of Ruth in Opera and Oratorio. Sheffield: Sheffield Phoenix Press, 2007.


Minear, Paul S. Death Set to Music: Masterworks by Bach, Brahms, Penerecki, Bernstein. Atlanta: John Knox Press, 1987.


Pahlen, Kurt and Thurston Dox. The World of the Oratorio: Oratorio, Mass, Requiem, Te Deum, Stabat Mater, and Large Cantatas. Portland, Oregon: Amadeus Press, 1990.


Pople, Anthony. Messiaen, Quatour pour la Fin du Temps. Cambridge, U.K.: Cambridge University Press, 1998.


Reich, Steve. Liner Notes. Tehillim. Steve Reich and Musicians (performers). ECM, ECM-1-1215. 1982, LP.


Rogerson, J.W. An Introduction to the Bible. London: Penguin, 1999.


Rosen, David. Verdi: Requiem. Cambridge, U.K.: Cambridge University Press, 1995.


Stern, Max. Bible & Music: Influences of the Old Testament on Western Music. Jersey City, New Jersey: KTAV Publishing House, 2011.


Temperley, Nicholas. Haydn: The Creation. Cambridge, U.K.: Cambridge University Press, 1994.


Vlad, Roman. Stravinsky. 2nd ed. London: Oxford University Press, 1967.


Bibliography and Credits