Krzysztof Penderecki—St. Luke Passion

St. Luke Passion 2

Krzysztof Penderecki. St. Luke Passion. Celle: Moeck Verlag, 1967. pp. 108-109.

© 1967 by Moeck Verlag, Celle/FRG, for all countries with the exception of:

Copyright 1967 by Polskie Wydawnictwo Muzyczne, Kraków, Poland, for Poland, Albania, Bulgaria, Czechoslovakia, Democratic Republic of Germany, Hungary, Rumania, Union of Soviet Socialist Republics, Chinese People's Republic, Cuba, North Corea, North Viet-Nam.

St. Luke Passion 3

Music Library M2000.P39 P2


            Penderecki’s St. Luke Passion was commissioned to commemorate Münster Cathedral’s 700th anniversary. The work premiered there on March 30, 1966. Though it was first performed in a church, Penderecki’s Passion, unlike Bach’s, is considered concert music with no ties to religious observance. Also, the subject matter was meant to transcend a simple retelling of Christ’s last days on earth. Though Penderecki was a religious man and in part sought to emphasize the literal retelling of Luke’s Gospel narrative, he also aimed to symbolize the tragedy of humanity through Christ’s suffering. This perspective makes sense when looking at Penderecki’s other works, some of which focus on the horrors of Auschwitz and Hiroshima.

            The St. Luke Passion covers slightly less ground than Bach’s Matthew narrative. Penderecki’s setting begins with Jesus on the Mount of Olives after the Last Supper and ends directly after Jesus’ death. The text is in Latin. The work fluctuates between moments of near tonality and complete atonal chaos. Much of the music, though not explicitly tonal, does have a harmonic center. The score makes use of graphical and traditional notation, which can be seen in the section on display. Here, Penderecki creates a haunting moment, where Jesus dies after committing his spirit to God. The score, from the Cook Music Library’s collection, is an early edition of this 1966 work.