<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://collections.libraries.indiana.edu/IULMIA/items/show/27">
    <dcterms:title><![CDATA[Wartime Factory]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the men and women working in a British airplane factory are the true secret weapon that will win the war against the Nazis. Shows an average day at the factory where work goes on around the clock. Maintaining peak efficiency is accomplished by a delicate balance between hard work and social activities. The film shows how factory medical services keep the workers performing at peak efficiency, women being trained for industrial labor that men did before the war, air raid defense trainings, how the cafeteria kept workers’ energy up, how music from the BBC is used to maintain worker production and relieve the boredom of repetitive tasks, and a workers’ concert that occurs at the transfer from day shift to night shift.]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Strand+Film+Production">Strand Film Production</a>]]></dcterms:creator>
    <dcterms:creator><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Arthur+Elton%3A+associate+producer">Arthur Elton: associate producer</a>]]></dcterms:creator>
    <dcterms:creator><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Edgar+Anstey%3A+director">Edgar Anstey: director</a>]]></dcterms:creator>
    <dcterms:creator><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Alexander+Shaw%3A+producer">Alexander Shaw: producer</a>]]></dcterms:creator>
    <dcterms:creator><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Great+Britain.+Ministry+of+Information">Great Britain. Ministry of Information</a>]]></dcterms:creator>
    <dcterms:issued><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=130&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1940">1940</a>]]></dcterms:issued>
    <dcterms:contributor><![CDATA[C. Malborough: camera]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[A. Rhind: recordist]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://collections.libraries.indiana.edu/IULMIA/items/show/40">
    <dcterms:title><![CDATA[Welcome Soldier!]]></dcterms:title>
    <dcterms:description><![CDATA[This film outlines the various government plans created to help World War II Canadian veterans return to civilian life in the workplace and at home, even with their friends. Cash bonuses, paid educational leave, assured work, free medical services and many other advantages were extended to the veterans to help them reintegrate into civilian life. The reel ends with a group discussion on the film that expands on many of the issues covered in the film and to help the audience prepare for demobilization and a return to a peacetime economy.]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=National+Film+Board+of+Canada">National Film Board of Canada</a>]]></dcterms:creator>
    <dcterms:issued><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=130&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1944">1944</a>]]></dcterms:issued>
    <dcterms:contributor><![CDATA[John Buckley, labor representative of the Ontario Social Security Rehabilitation Committee: group discussion leader.]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://collections.libraries.indiana.edu/IULMIA/items/show/58">
    <dcterms:title><![CDATA[My Japan]]></dcterms:title>
    <dcterms:description><![CDATA[Presented as an authentic message from the Japanese people to the American people, this film is actually a fake newsreel designed to counter any views the American moviegoer might have had about the Japanese being a backwards nation. The film employs a white American in yellowface as the Japanese narrator who describes the modern, technological Japan capable of withstanding the American military&#039;s attacks. Uses captured feature films and documentaries from the Japanese, including a short sequence from the 1937 German/Japanese co-production &quot;The Daugther of the Samurai&quot; in a brief clip with the actress Setsuko Hara.]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=U.S.+Treasury+Department+War+Finance+Division">U.S. Treasury Department War Finance Division</a>]]></dcterms:creator>
    <dcterms:issued><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=130&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1945">1945</a>]]></dcterms:issued>
    <dcterms:contributor><![CDATA[Setsuko Hara (from the 1937 German/Japanese co-production &quot;The Daughter of the Samurai&quot;)]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://collections.libraries.indiana.edu/IULMIA/items/show/68">
    <dcterms:title><![CDATA[Airscrew]]></dcterms:title>
    <dcterms:description><![CDATA[This short nonfiction film depicts the intensive testing that goes into developing and producing new military equipment, here the propeller engine of a fighting plane. It opens with the whirring or propeller blades. Animated diagrams show how the bite of the propeller moves it through the air and how the pitch determines the size of the bite. A trip through an airplane factory shows the manufacture of a satisfactory alloy. The rest of the process is painstaking hand work interspersed with dozens of careful inspections. The operation of the variable pitch mechanism and its use in taking off and cruising is shown. Then the propeller is assembled the complete job is tested for balance. The film ends with the engine placed onto a new plane followed by the bomber taking off.]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Grahame+Tharp%3A+director">Grahame Tharp: director</a>]]></dcterms:creator>
    <dcterms:creator><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Arthur+Elton%3A+producer">Arthur Elton: producer</a>]]></dcterms:creator>
    <dcterms:creator><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Great+Britain.+Ministry+of+Information">Great Britain. Ministry of Information</a>]]></dcterms:creator>
    <dcterms:issued><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=130&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1940">1940</a>]]></dcterms:issued>
    <dcterms:contributor><![CDATA[Sidney Beadle: photography]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Francis Rodker: diagrams]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Norman Leevers: location, sound]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://collections.libraries.indiana.edu/IULMIA/items/show/71">
    <dcterms:title><![CDATA[Price of Freedom]]></dcterms:title>
    <dcterms:description><![CDATA[This film &quot;outlines the role that industry is playing in our war effort. Production of munitions and the operation of the payroll withdrawal plan for War Bonds are among the subjects treated.&quot; (&quot;Free Film Reviews&quot;, Movie Makers, January, 1943, 34.) Includes footage from a number of International Harvester factories and how the company&#039;s workers save money from their paycheck to help the war effort through a company-wide payroll savings plan.]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=U.S.+Treasury+Department+War+Savings+Staff">U.S. Treasury Department War Savings Staff</a>]]></dcterms:creator>
    <dcterms:issued><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=130&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1942">1942</a>]]></dcterms:issued>
    <dcterms:contributor><![CDATA[Burton Davis: script; Kelvin Keech: narrator; Carl Painter, assembly line worker for International Harvester: speaker; Dirk Van der Muellen, International Harvester factory worker: speaker; Richard Manyon, International Harvester factory worker: speaker]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://collections.libraries.indiana.edu/IULMIA/items/show/111">
    <dcterms:title><![CDATA[When Work is Done]]></dcterms:title>
    <dcterms:description><![CDATA[<span>During the War, people from rural parts of the country moved to cities to take advantage of new jobs available at factories, shipyards, and other plants. This film promotes ways toward a healthy transition during wartime as these new communities expanded and grew. "Showing how the people of Sylacauga (Ala.) provided recreation for war worker who had come to work and live there." ("Current Film News," Educational Screen, December, 1943, 404). By highlighting this community as an exemplar, the film demonstrates how to welcome new members of a town, be it at work, at lunchtime, or in after work recreational activities such as dances, sports, and more.<br /></span>]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=U.S.+Office+of+War+Information+Bureau+of+Motion+Pictures">U.S. Office of War Information Bureau of Motion Pictures</a>]]></dcterms:creator>
    <dcterms:creator><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Division+of+Recreation%2C+Office+of+Community+War+Services%2C+Federal+Security+Agency">The Division of Recreation, Office of Community War Services, Federal Security Agency</a>]]></dcterms:creator>
    <dcterms:issued><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=130&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1943">1943</a>]]></dcterms:issued>
    <dcterms:contributor><![CDATA[The War Activities Committee of The Motion Picture Industry: Exhibited and Distributed by]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://collections.libraries.indiana.edu/IULMIA/items/show/129">
    <dcterms:title><![CDATA[Supervising Women Workers]]></dcterms:title>
    <dcterms:description><![CDATA[A short from the &quot;Problems of Supervision&quot; series of educational films released in 1944 to aid in the increasing of factory efficiency through the solving of interpersonal problems that reduce the rate of production. In this film, a line supervisor discusses  the challenges of supervising the new wartime workforce of women with his foreman. According to the film, these problems arise out of women not being familiar with technology and technical language.  Solutions to these challenges include a training regime that breaks down factory labor into easy to understand steps, use plain language, define technical terms, and to use tools appropriate for gender. Women are presented as being good at repetitive labor requiring a high degree of manual dexterity. Male factory managers are warned not to get romantically involved with any women workers and are given techniques to deal with the highly emotional nature of women workers. According to the film, &quot;A foreman will always have the eternal feminine to contend with.&quot;]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=U.S.+Office+of+Education">U.S. Office of Education</a>]]></dcterms:creator>
    <dcterms:date><![CDATA[1944]]></dcterms:date>
    <dcterms:issued><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=130&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1944">1944</a>]]></dcterms:issued>
</rdf:Description></rdf:RDF>
