<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://collections.libraries.indiana.edu/IULMIA/items/show/37">
    <dcterms:title><![CDATA[The Silent Village]]></dcterms:title>
    <dcterms:description><![CDATA[The true story of the massacre of Lidice, a small Czech village, by the Nazis is retold as if it happened in Wales. The film brings home the horrors of the German massacred by relocating it to a tradtional mining village in the British isles.  The village is portrayed as a wholesome, hardworking community through scenes of ordinary, daily life at the local church, school, train station, grocer, field, and mine. The calm is shattered as Nazi soldiers arrive to decimate the village.]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Humphrey+Jennings%3A+producer+and+director">Humphrey Jennings: producer and director</a>]]></dcterms:creator>
    <dcterms:creator><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Great+Britain.+Ministry+of+Information">Great Britain. Ministry of Information</a>]]></dcterms:creator>
    <dcterms:creator><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Great+Britain.+Crown+Film+Unit">Great Britain. Crown Film Unit</a>]]></dcterms:creator>
    <dcterms:issued><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=130&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1943">1943</a>]]></dcterms:issued>
    <dcterms:contributor><![CDATA[H. E. Fowle: photography; Stewart McAllister: film editor; Jock May: sound; Diana Pine: asst. director]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://collections.libraries.indiana.edu/IULMIA/items/show/55">
    <dcterms:title><![CDATA[World of Plenty]]></dcterms:title>
    <dcterms:description><![CDATA[This 1943 film by documentarian Paul Rotha uses found footage and animated diagrams to discuss the production, distribution, and consumption of food; the prewar problems of overproduction and the anomaly of glutted markets and hungry people; the control exercised over production and distribution during World War II; and to offer a picture of what might be done in the postwar period.]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Paul+Rotha+Productions">Paul Rotha Productions</a>]]></dcterms:creator>
    <dcterms:creator><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Great+Britain.+Ministry+of+Information">Great Britain. Ministry of Information</a>]]></dcterms:creator>
    <dcterms:issued><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=130&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1943">1943</a>]]></dcterms:issued>
    <dcterms:contributor><![CDATA[Eric Knight: writer]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Isotype Institute: diagrams]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[William Alwyn: music]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Miles Malleson: additional dialogue]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://collections.libraries.indiana.edu/IULMIA/items/show/24">
    <dcterms:title><![CDATA[They Also Serve]]></dcterms:title>
    <dcterms:description><![CDATA[This British film from 1940 portrays a housewife on a day like any other. Following a woman going about her business, the film shows a woman who has casually integrated serving the war effort into her everyday routine, from bringing dinner to a neighbor whose soldier husband has returned to growing vegetables to help with the food shortage. The emphasis that little efforts make a difference not only subtly pushes viewers to also make such small contributions, but it also acknowledges and applauds the strength of those left behind. In short, this film takes a break from portraying the bravery of soldiers to showing the bravery of women back on the home front.]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Realist+Film+Unit%3A+production">Realist Film Unit: production</a>]]></dcterms:creator>
    <dcterms:creator><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=R.+I.+Grierson%3A+direction">R. I. Grierson: direction</a>]]></dcterms:creator>
    <dcterms:creator><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Great+Britain.+Ministry+of+Information">Great Britain. Ministry of Information</a>]]></dcterms:creator>
    <dcterms:issued><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=130&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1940">1940</a>]]></dcterms:issued>
    <dcterms:contributor><![CDATA[A. E. Jeakins: camera; H. Halsted: sound]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://collections.libraries.indiana.edu/IULMIA/items/show/127">
    <dcterms:title><![CDATA[Report From Britain No. 1: Neuro Psychiatry 1943 [Reel 2]]]></dcterms:title>
    <dcterms:description><![CDATA[<span>Deals with Britain's treatment of mental health in wartime. Shows a specialized hospital for military and civilian patients and gives a picture of its organization and operation, including diagnostic and therapeutic methods, occupational therapy, recreation, and rehabilitation.  </span>To view the first reel of this two-reel films, see: <a href="http://collections.libraries.iub.edu/IULMIA/items/show/42"><em>Report From Britain No.1: Neuro Psychiatry 1943</em> [Reel 1]</a>]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Spectator+Films">Spectator Films</a>]]></dcterms:creator>
    <dcterms:creator><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Basil+Wright%3A+producer">Basil Wright: producer</a>]]></dcterms:creator>
    <dcterms:creator><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Michael+Hankinson%3A+director">Michael Hankinson: director</a>]]></dcterms:creator>
    <dcterms:creator><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Great+Britain.+Ministry+of+Information">Great Britain. Ministry of Information</a>]]></dcterms:creator>
    <dcterms:issued><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=130&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1943">1943</a>]]></dcterms:issued>
    <dcterms:contributor><![CDATA[Stephen Ackroyd: script; Cyril Bristwo: photography; W. S. Bland: sound; Ralk Kemplen: editing]]></dcterms:contributor>
    <dcterms:relation><![CDATA[<a href="http://collections.libraries.iub.edu/IULMIA/items/show/42"><em>Report From Britain No.1: Neuro Psychiatry 1943</em> [Reel 1]</a>]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://collections.libraries.indiana.edu/IULMIA/items/show/8">
    <dcterms:title><![CDATA[Citizens Army]]></dcterms:title>
    <dcterms:description><![CDATA[Men from a variety of backgrounds and professional fields are trained for the British Home Guard. Describes the development and standardization of this volunteer citizen’s army. Scenes from training schools show instruction in use of modern weapons, methods of attack, camouflage, and dispersal under aircraft fire. Depicts practice maneuvers in the heart of London.]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Strand+Film+Production">Strand Film Production</a>]]></dcterms:creator>
    <dcterms:creator><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Great+Britain.+Ministry+of+Information">Great Britain. Ministry of Information</a>]]></dcterms:creator>
    <dcterms:issued><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=130&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1941">1941</a>]]></dcterms:issued>
    <dcterms:contributor><![CDATA[Donald Taylor: Produced By; Ivan Moffat: Directed By; Charles Marlborough: Camera; Robert Speaight: Commentary; C. Tasto: Recorded By]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://collections.libraries.indiana.edu/IULMIA/items/show/27">
    <dcterms:title><![CDATA[Wartime Factory]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the men and women working in a British airplane factory are the true secret weapon that will win the war against the Nazis. Shows an average day at the factory where work goes on around the clock. Maintaining peak efficiency is accomplished by a delicate balance between hard work and social activities. The film shows how factory medical services keep the workers performing at peak efficiency, women being trained for industrial labor that men did before the war, air raid defense trainings, how the cafeteria kept workers’ energy up, how music from the BBC is used to maintain worker production and relieve the boredom of repetitive tasks, and a workers’ concert that occurs at the transfer from day shift to night shift.]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Strand+Film+Production">Strand Film Production</a>]]></dcterms:creator>
    <dcterms:creator><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Arthur+Elton%3A+associate+producer">Arthur Elton: associate producer</a>]]></dcterms:creator>
    <dcterms:creator><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Edgar+Anstey%3A+director">Edgar Anstey: director</a>]]></dcterms:creator>
    <dcterms:creator><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Alexander+Shaw%3A+producer">Alexander Shaw: producer</a>]]></dcterms:creator>
    <dcterms:creator><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Great+Britain.+Ministry+of+Information">Great Britain. Ministry of Information</a>]]></dcterms:creator>
    <dcterms:issued><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=130&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1940">1940</a>]]></dcterms:issued>
    <dcterms:contributor><![CDATA[C. Malborough: camera]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[A. Rhind: recordist]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://collections.libraries.indiana.edu/IULMIA/items/show/18">
    <dcterms:title><![CDATA[Mr. Proudfoot Shows a Light]]></dcterms:title>
    <dcterms:description><![CDATA[Mr. Proudfoot Shows a Light is a short fiction film from the United Kingdom from 1941, commissioned by the Ministry of Information, and directed by Herbert Mason. This short film was intended for English civilians to illustrate the importance of obeying the blackout regulations of the time. During the Blitz, blackouts were vital to ensuring that the bombers weren’t able to use city lights for navigation or targeting purposes. Humorously using the arrogant and bumbling Mr. Proudfoot, this film serves a dual purpose of emphasizing the importance of obeying blackout hours, as well as easing the stress of the time period by encouraging laughter.]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Twentieth+Century+Production">Twentieth Century Production</a>]]></dcterms:creator>
    <dcterms:creator><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Herbert+Mason%3A+director">Herbert Mason: director</a>]]></dcterms:creator>
    <dcterms:creator><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Great+Britain.+Ministry+of+Information">Great Britain. Ministry of Information</a>]]></dcterms:creator>
    <dcterms:issued><![CDATA[<a href="/IULMIA/items/browse?advanced%5B0%5D%5Belement_id%5D=130&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1941">1941</a>]]></dcterms:issued>
    <dcterms:contributor><![CDATA[Sidney Gilliat: story]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Arthur Crabtree: cinematographer]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Alfred Roome: editor]]></dcterms:contributor>
</rdf:Description></rdf:RDF>
