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                  <text>WWII Propaganda Films and IU: &#13;
Audiovisual Production, Distribution, and Education</text>
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                <text>&lt;p class="MsoNormal"&gt;Second issue of the Film Communique series. Includes two short segments:&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;&lt;em&gt;A Day &lt;span class="GramE"&gt;With&lt;/span&gt; the A-36's&lt;/em&gt; Follows through a day with the A-36 a lightweight attack bomber - adapted from the P-51 Mustang. Shows glimpses of the ground life of the men who service and fly the planes. Footage shot from plane-mounted cameras on a bombing mission against Nazi targets in Sicily.&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;&lt;em&gt;Report &lt;span class="GramE"&gt;From&lt;/span&gt; Berlin&lt;/em&gt; Excerpts of a captured German newsreel, showing Nazi rallies and government ceremonies. Reports on war industry exceeding production goals, with scenes from factories, shipyards and munitions production. Narrated commentary presents the film to U.S. war workers in order that they see the face and production capabilities of the enemy, spoken English translation follows German newsreel narration.&lt;/p&gt;</text>
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                <text>Crops For Combat</text>
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                <text>Duncan Wall : narration</text>
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                <text>Jack Shilkret : musical score</text>
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                <text>Tom Hogan : directed and photographed by</text>
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                <text>"Shows the vital role of oil from farm crops in time of war. With sources of palm, cocoanut, rung, teaseed, sesame, and other oils virtually cut off, and shipping hazardous, the United States looked to its farmers to produce oil crops to supply its needs. Flax, cottonseed, peanuts, and soybeans constituted important sources of domestic oil. The picture shows how oil is produced, and some of the many ways it is used" &amp;nbsp;(Motion Pictures of the United States Department of Agriculture, 1945). &amp;nbsp;&lt;br /&gt;"Deals with the importance of oil production in America for purposes of warfare. Shows America producing billions of gallons of oil from flax, cotton seed, peanuts, and soybeans-now that import of oil from tropical trees has been cut off. Closing scenes show condensed foods and fats being sent to armies while numerous by-products are used in wartime industries" (Indiana University Extension Division Visual Aids Catalog Supplement, September 1945, 38).&amp;nbsp;</text>
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                <text> United States Navy Bureau of Aeronautics : produced by </text>
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                <text> Atlas Educational Film Company</text>
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Audiovisual Production, Distribution, and Education</text>
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                <text>Begins with a brief geography lesson to orient the North American viewer to the size and climate of Chile. Scenes of indigenous shepherding in desert villages are followed by a visit to the Christmas celebration of the Virgin of Andecollo. Scenes at a giant open-pit copper mine at Chuquicamata show the extraction process from blasting ore to refining. Narration states that the Atacama holds the world's largest source of nitrate&amp;nbsp;a history of this lucrative industry is summarized. The mineral riches of the region go to market at the sea ports of Tocapilla and Antofagasta. The wealth from Chile's natural resources are shown accruing in the prosperous, modern cities of Valparaiso and Santiago.</text>
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Audiovisual Production, Distribution, and Education</text>
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              <text>Granary Burial Grounds, Boston; Pearl Harbor; West Point; Alcan Highway</text>
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                <text>The Negro Soldier</text>
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                <text>Intended to combat racial discrimination in the armed forces, "The Negro Soldier" traces the role of African Americans in war from the American Revolutionary War through World War II.  This film, written and starred in by Carlton Moss and produced by Frank Capra, has since been added to the National Film Registry of the Library of Congress.  The Registry noted that the film is culturally and historically significant because it "showcased the contributions of blacks to American society and their heroism in the nation’s wars, portraying them in a dignified, realistic, and far less stereotypical manner than they had been depicted in previous Hollywood films."  Like Capra's other U.S. propaganda films, "The Negro Soldier" was required viewing for all soldiers. </text>
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                <text>Frank Capra: producer</text>
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                <text>https://purl.dlib.indiana.edu/iudl/media/653702st0d</text>
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